The New
Glass 2015 Writing Competition, an initiative of the ACT Writers Centre and
the Canberra Glassworks, is part of an ongoing endeavour to develop
collaborative opportunities for glass artists and writers. Kelli-Anne Moore,
ACT Writers Centre Director, says the idea for the competition came from the
desire to ‘recognise and celebrate the work of writers, and to encourage
writers to find inspiration in other art forms’.
2015 winner, Claire Capel-Stanley, was announced at a
special event held at the Canberra Glassworks. Capel-Stanley’s piece Victories: On New Glass 2015 was published in the online
brochure for the New Glass 2015:
Archaeology, Excavation and the Arcane exhibition. In addition, the ACT
Writers Centre presented her with a two year membership.
‘Glass,’ Capel-Stanley writes in her essay,
‘Seems to carry with it the whole consignment of human ingenuity: the necessary
innovation of function, and the love of ornament.’ This seems a fitting
observation not only of glass, but of the collaborative project which wove two
strands of creativity into a new form.
Capel-Stanley, a freelance art writer and
reviewer, studied Art History and Curatorship at the Australian National University
and has worked in various roles in collections and galleries for several years.
She is currently Program Manager at PhotoAccess
in Manuka, where she manages exhibitions, artist residencies and marketing as
well as the education program. ‘I also have an emerging practice which sits
somewhere in the middle of writing, drawing and sculpture,’ she says.
According to Capel-Stanley, winning the
award is validation of the sometimes invisible efforts of writers: ‘When you
are trying to do anything “on the side” of a job, whether that's writing, art,
or even making your own jam to sell at the farmers markets, it sometimes feels
like an invisible career, something you just did one time by accident.’
Art writing awards and competitions are
still uncommon, so the opportunity offered by the ACT Writers Centre and the
Canberra Glassworks is innovative and welcomed by both glassmakers and writers.
Capel-Stanley sees art writing as a growing field, one that is increasingly of
interest to arts organisations, noting that, ‘It's nice to even be able to
enter an art writing award, let alone win.’
Collaborations across disciplines provide
new perspectives on content and approach – not unlike holding a piece of glass
up to the sun and watching where the light refracts. Capel-Stanley suggests
these connections are important and can be refreshing for artists and audiences.
‘We have a huge wealth of expertise and creativity in Canberra,’ she says. ‘Collaboration
is a great way to introduce diverse knowledge areas to a wider audience, and to
participate in a richer and more interesting conversation on current ideas in
art, society and culture.’
When asked about what she would say to
others interested in entering future art writing competitions, Capel ‑Stanley encourages
people from different writing backgrounds to enter. Despite the view that
specialist knowledge of technical terms and concepts will be required, she
suggests this is not necessarily the case, instead believing that some of the
best art writing comes from people who aren't ‘experts’. Capel-Stanley argues
that because everyone responds to what they see and feel, art writing is much
more accessible than most people imagine. By bringing their individual
knowledge and experience into play, art writing is a way of sharing those
insights with others. ‘Art can be a really interesting gateway to use as a
writer,’ she says.
If you are looking for ways to start your
art writing career, Capel-Stanley recommends Siri Hustvedt's book What I Loved for fiction writers and
non-fiction writers could try Forty-One
False Starts by Janet Malcolm.
The ACT Writers Centre and the Canberra
Glassworks hope to encourage writers to explore the fascinating intersection of
glass and writing by running a New Glass Writing Competition on an annual basis.
This blog post is part of my Blogger in Residence with the ACT Writers Centre and first appeared in Capital Letters
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